My artistic practice is grounded in a continuous dialogue with matter—its transformations, its instabilities, its quiet capacity to reveal truths that exceed the visible world. For more than a decade, I have explored the interstices between creation and dissolution, where materials undergo processes of alchemy, mutation, and transfiguration. Copper, fabrics, resins, minerals, and time itself act as collaborators, each carrying the memory of passages and the tension between fragility and resilience.
Through oxidation, stitching, tearing, knitting and crystallization, my work seeks to reveal the life of matter as something porous, permeable, and deeply intertwined with our own impermanence.
Across my practice, transformation is never an end point but a method, a way of thinking. Materials become vessels for cosmological questions, for human states of transition, for the invisible forces that shape both bodies and landscapes. Whether through the mineralization of fabric into copper surfaces, the knitting of copper into forms that balance visual delicacy with material strength, or the slow blooming of patinas that cannot be fully controlled, I work toward moments where matter reveals its own agency.
Ultimately, my work is a meditation on the thesholds that define existence: the spaces between growth and decay, permanence and loss, memory and forgetting. Each piece invites the viewer into this suspended terrain—to witness how matter records time, how transformation can be tender, and how the quiet processes of becoming and unbecoming mirror our own.